We try something new today, for the first time we have drummer talk and drummer lunch at the same time. We spend the entire time conversing about Jay Graham’s letter about keeping time, playing other people’s kit, and increasing hand speed.
We’re back!! This week, Wes Melton joins me and discusses being a drummer with a hip-hop artist, plus I roll the 30 minute interview with DrummerCafe.com founder, Bart Elliott.
Our first studio show of Dave Kropf’s Drummer Talk. Features Dave, Shane Flynn, Wes Melton, Ian McClellan, and DJ Kirk engineering. We talk about Pearl’s Reference Series drums, Steve Gadd’s clinic tour, and getting into the music scene. Plus, beat up Pink Floyd Shirts.
Correction: On today’s show, I said that Chester Thompson played Pearl. This is incorrect, Chester Thompson is a DW endorser. My apologies.
I get asked often what I think about the whole drummers not being “real musicians.” First, I don’t have to tell you how much that fries me, but instead of simply flaming anyone who says that, I thought I’d blog my eloquent reply …
Drums are a musical instrument capable of just as many notes, tones, sounds, and expressive capabilities as the guitar or saxophone. I’d challenge any horn player to try and outnumber the number of sounds I can get on a drum kit .. heck – ONE DRUM! Why then, is it assumed that just because this instrument does not prescribe to the Western concept of a set of 12 semitones per octave that it somehow requires less musicality to play? In fact, it requires just as much musicianship and I feel, dare I say more creativity to play an instrument with such an abstract musical nomenclature. Read more
Ok, let me get all existential on you. Drumming (especially playing old Stax/Motown music like “Green Onions”) is much much more than keeping time, or chopping, or fills, or whatever. When your playing, and everything’s cooking, and the bass player is laying down a phat groove so wide that you just slide in .. when everything is going and you’re deep in the pocket, you begin to spearate yourself from your personal performance. You begin to experience the music as a complete whole. It’s almost a bizarre out-of-body thing, but you’re playing along and you’re not just enjoying your own playing, but you’re enjoying the music everyone is contributing to making. Read more